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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
December 31st: Jacob's Pillow: Ann & Weston Hicks Choreography Fellows Program, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program, December 31st: Indigo Arts Alliance Mentorship Residency Program, March 31st: SIA Foundation Grants
×"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
For continual updates on leadership changes see Dance Data Project® – Artistic Director Transitions 2022 Spreadsheet
This section focuses on new or upcoming deadlines for artist opportunities, in conjunction with our Fellowships, Competitions and Initiatives Guide. For a more comprehensive list of artist opportunities, please see the link above.
*DDP utilizes multiple sources to inform Global Roundups. A comprehensive list of publications, subscriptions & sources can be found here.
For continual updates on leadership changes see Dance Data Project® – Artistic Director Transitions 2022 Spreadsheet
This section focuses on new or upcoming deadlines for artist opportunities, in conjunction with our Fellowships, Competitions and Initiatives Guide. For a more comprehensive list of artist opportunities, please see the link above.
*DDP utilizes multiple sources to inform Global Roundups. A comprehensive list of publications, subscriptions & sources can be found here.
Dance Data Project® today announces the third annual report of dance festival leadership and programming. DDP’s 17th report since February 2019, the 2021 US Dance Festivals Report examines gender equity in dance festival performance programming and leadership, finding that female-led festivals program, on average, 49% works choreographed by women, while male-led festivals program only 38% works choreographed by women. Festivals run by women are simply more equitable.
Festivals present an opportunity for new choreographic works to be tested and presented. The most prized and prestigious commissions are world premieres. Of the 2021 festivals examined, DDP finds that 36% of world premieres were choreographed by women, compared to 47% choreographed by men, with the remainder created by gender expansive choreographers or by co-choreographers of different genders.
Dance Data Project® today announces the release of its Collegiate Dance Programs Faculty & Administration Report. This Report expands DDP’s widely-cited body of research on the dance economy into the realm of academia. This research analyzes the faculty and administrators of 173 degree-granting collegiate dance programs at public and private institutions in the United States.
DDP Research Lead Michayla Kelly notes, “This Report, our 16th since February 2019, analyzes over 1,600 dance faculty positions at institutions of higher education. Academia hosts a significant number of jobs and opportunities for dance professionals – it is an important aspect of the field, and an avenue which can provide dance professionals with long-term job stability and benefits.”
Dance Data Project® today announces its Global Resident Choreographers 2022 Data Byte. This mini-report analyzes the gender distribution of resident choreographers at ballet and dance companies worldwide, examining, in a greatly expanded study, who holds these influential and frequently lucrative posts.
Dance Data Project® today announces its 2022 Research Calendar. Since its first published Research Report in January of 2019, DDP has produced 15 full Reports and 6 mini Data Bytes. The following is a projected timeline of extensive research– due to the nature of the ongoing COVID-19 pandemic and its impact on dance organizations, this is subject to change.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery