Resources
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
December 31st: Jacob's Pillow: Ann & Weston Hicks Choreography Fellows Program, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program, December 31st: Indigo Arts Alliance Mentorship Residency Program, January 22nd: Opera America Grants, March 3rd: Dance | NYC: Dance Workforce Resilience (DWR) Fund, March 31st: SIA Foundation Grants
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
The following is a report on the gender distribution of the leadership and programming of spring/summer dance festivals in 2019. The data is separated into three subsections: Leadership, Programming, and Festival v. Top 50 Company Comparison. DDP cites sources and expresses limitations at the end of the report.
The following is a report on the gender distribution of leaders within the Top 50 domestic companies’ Boards of Directors and Boards of Trustees. The data is separated into two subsections: Chair Gender Distribution and Executive Committee Gender Distribution. DDP cites sources and expresses limitations at the end of the report.
The following is a report on the gender distribution of choreographers in the upcoming seasons of the fifty largest ballet companies in the United States that have been reported so far this year (38 out of 50 as of May 23, 2019). The data is separated into subsections, focusing on different aspects of the distribution of male and female choreographic work included in the upcoming seasons. DDP cites sources and discusses limitations and important disclaimers at the end of the report.
Amendment – Please Note: There was an error in DDP’s reporting of the Aspen Santa Fe Ballet’s 2019-2020 Season. This error had no impact on statistics and conclusions reported in the 2019 “First Look” report. According to ASFB’s 2019 press releases for its 2019-2020 Winter Performance Series in both Aspen and Santa Fe, there were 6 works programmed, all choreographed by men. Further note: DDP will count “The Nutcracker” twice in programming (i.e., total of 7 works) as it appeared in two separate seasons programmed independently (once in the Aspen Winter Performance Series, once in the Santa Fe Winter Performance Series) in our 2019-2020 Season Overview, which reexamines the announced seasons included in the 2019 “First Look” report.
The DDP research team collected and refined data from GuideStar, a privately-operated website that provides profiles for 1.8 million IRS-recognized tax-exempt organizations. DDP analyzed the average compensation for Executive and Artistic Directors of leading domestic ballet companies from 2015 through 2017, and distribution of gender from 2015 through 2018.
Called the Top 50 by DDP, these companies were those that had the largest expenses as of October 2018, according to their most recent Forms 990, which can be found on GuideStar profiles. In early February, DDP will be publishing the results of this recent research via a report released on our website.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
