Upcoming Deadlines | click here to see if you are eligible for any of these opportunities

October 30th: Kennesaw State University Choreographic Residency, November 1st: Howard Fellowship, November 5th: CHOP SHOP: Bodies of Work, November 23rd: Camille A. Brown and Dancers Mentorship Program, December 1st: Culture Forward Grant - The Svane Family Foundation Deadline 3, December 1st: Harkness Foundation for Dance Program/Project Grant, December 2nd: NYS Choreographers Initiative (NYSCI), December 31st: National Dance Project Presentation Grants - New England Foundation for the Arts, December 31st: National Dance Project Travel Fund, December 31st: New England Presenter Travel Fund, December 31st: Kit Modus In-person Choreographic Residency, December 31st: Gross Family Prize: Charles and Joan Gross Family Foundation, December 31st: Foundation for Contemporary Arts Emergency Grants, December 31st: Fertile Ground 2026-2027 Season

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2021 U.S. Dance Festivals Report

March 14th, 2022

This Report is Dance Data Project® (DDP)’s third annual report on gender equity in dance festivals, analyzing performance programming and artistic directors at dance festivals and comparing year-to-year results.

Key Findings include:

  • 48% of the works recorded were choreographed by women.
  • 36% of the world premieres recorded were choreographed by women.
  • 62% of virtual works recorded were choreographed by women, compared to only 38% of live works.
  • 69% of the festivals studied were led by women, compared to 31% led by men.
  • The average gender equity score, calculated by dividing the number of women-choreographed works by the number of total works for each festival, was 0.45, indicating that on average, a festival programmed 45% works by women.
  • The festivals led by women had an average gender equity score of 0.49, compared to 0.38 at
    the festivals led by men, indicating that women-led festivals program a higher percentage of women-choreographed works.
  • The average festival gender equity score increased by 0.15 between 2019 and 2021, indicating that the festivals sampled in 2021 programmed 15% more choreographic work by women than the festivals sampled in 2019.