The Progress 1000: London’s most influential people 2019 – Creative Arts: Dance
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
March 3rd: Dance | NYC: Dance Workforce Resilience (DWR) Fund, March 31st: SIA Foundation Grants
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
By Emma Byrne
Lead ballerina and artistic director, English National Ballet
Rojo has turned her company into a formidable force, championing women choreographers and talented youngsters alongside heavyweight stars. She’s overseen ENB’s move into its new home in Canning Town, cementing east London as the capital’s up-and-coming dance centre.
Choreographer | NEW
Marston has had one hell of a year already, creating ballets for the world’s great companies and winning a Critics’ Circle award. And there’s another major coup — her first main-stage work for the Royal Ballet, based on the life of Jacqueline Du Pré.
Atistic director, Ballet Black
Pancho is changing the face of British dance. Last year she worked alongside Freed to create pointe shoes and tights for black and mixed-race ballet dancers – a UK first.
Read the full list in the Standard.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery

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