DDP Talks To
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
August 12th: K3 Choreographic Residency 2027/2028, August 27th: Bronx Cultural Visions Fund, September 1st: Culture Forward Grant - The Svane Family Foundation Deadline 2, September 28th: New England Dance Fund, October 13th: Community Arts Grant - Zellerbach Family Foundation Deadline 3, October 14th: Shubert Foundation Dance Grant, October 22nd: Perform Europe Open Call, December 1st: Culture Forward Grant - The Svane Family Foundation Deadline 3, December 31st: National Dance Project Presentation Grants - New England Foundation for the Arts, December 31st: National Dance Project Travel Fund, December 31st: New England Presenter Travel Fund
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
Instead of streaming the same old Nutcrackers this year, we’d recommend exploring something outside the usual male-choreographed, big city productions…
By Chandra Thomas Whitfield, For the AJC
Karla Tyson, 32, remembers well the early days of her ballet training when she and fellow young dance students performed in the ensemble cast of Atlanta-based Ballethnic Dance Company’s “The Urban Nutcracker.”
Her favorite part of each performance of the African American-inspired and Atlanta-focused adaptation of the classic Tchaikovsky ballet was when prima ballerina Nena Gilreath would take to the stage as Brown Sugar, with her husband and fellow lead, Waverly Lucas, as the handsome Chocolatier at her side.
The sight of Gilreath twirling gracefully across the stage in a rust, marigold and chocolate-colored tutu ensemble, her mahogany-colored skin glistening under the stage lights, would literally take her breath away. The standing ovations and encores audience members gifted Gilreath afterward, Tyson remembers, were “definitely inspiring.” She says it was validating and made her believe as an African American, I can be a ballerina too.
“Watching her, I definitely knew I wanted to do ballet,” recalls Tyson, a Henry County resident. “I wanted to be just like Ms. Nena.”
This month in her fifth reprisal in the lead role, Tyson, a Ballethnic graduate, hopes to recapture some of that same “Black ballerina magic” that Gilreath so effortlessly commanded during her 13-year tenure. For the first time, the signature production was recorded at the Legacy Theatre in Alpharetta without a live audience and streamed virtuallySaturday, Dec. 19 at 7:30 p.m. It’s yet another COVID-19 casualty that forced the cancellation of all previously planned festivities in celebration of Ballethnic, metro Atlanta’s first and only African American-founded “classically trained, culturally diverse” school. It’s the professional dance company’s 30th anniversary year, which officially wraps up Jan. 15.
Read the full story here.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
