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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
July 31st: Community Engagement Artists and Creatives Grant, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
×"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
For continual updates on leadership changes see Dance Data Project® – Artistic Director Transitions 2022 Spreadsheet
This section focuses on new or upcoming deadlines for artist opportunities, in conjunction with our Fellowships, Competitions and Initiatives Guide. For a more comprehensive list of artist opportunities, please see the link above.
*DDP utilizes multiple sources to inform Global Roundups. A comprehensive list of publications, subscriptions & sources can be found here.
For continual updates on leadership changes see Dance Data Project® – Artistic Director Transitions 2022 Spreadsheet
This section focuses on new or upcoming deadlines for artist opportunities, in conjunction with our Fellowships, Competitions and Initiatives Guide. For a more comprehensive list of artist opportunities, please see the link above.
*DDP utilizes multiple sources to inform Global Roundups. A comprehensive list of publications, subscriptions & sources can be found here.
Today, Dance Data Project® (DDP) is releasing the first-ever Gender Equity Index (GEI) for the U.S. dance industry in specific and performing arts in general. DDP’s GEI is designed to assess how dance companies measure up in terms of commissioning female creators, giving them leadership positions, and fostering a transparent and accountable culture. DDP’s Gender Equity Index is modeled on indices developed by Bloomberg, Equileap, Gender Fair, and ASU’s Women’s Power Index, among others.
For continual updates on leadership changes see Dance Data Project® – Artistic Director Transitions 2022 Spreadsheet
This section focuses on new or upcoming deadlines for artist opportunities, in conjunction with our Fellowships, Competitions and Initiatives Guide. For a more comprehensive list of artist opportunities, please see the link above.
*DDP utilizes multiple sources to inform Global Roundups. A comprehensive list of publications, subscriptions & sources can be found here.
For continual updates on leadership changes see Dance Data Project® – Artistic Director Transitions 2022 Spreadsheet
This section focuses on new or upcoming deadlines for artist opportunities, in conjunction with our Fellowships, Competitions and Initiatives Guide. For a more comprehensive list of artist opportunities, please see the link above.
*DDP utilizes multiple sources to inform Global Roundups. A comprehensive list of publications, subscriptions & sources can be found here.
For continual updates on leadership changes see Dance Data Project® – Artistic Director Transitions 2022 Spreadsheet
This section focuses on new or upcoming deadlines for artist opportunities, in conjunction with our Fellowships, Competitions and Initiatives Guide. For a more comprehensive list of artist opportunities, please see the link above.
*DDP utilizes multiple sources to inform Global Roundups. A comprehensive list of publications, subscriptions & sources can be found here.
For continual updates on leadership changes see Dance Data Project® – Artistic Director Transitions 2022 Spreadsheet
This section focuses on new or upcoming deadlines for artist opportunities, in conjunction with our Fellowships, Competitions and Initiatives Guide. For a more comprehensive list of artist opportunities, please see the link above.
*DDP utilizes multiple sources to inform Global Roundups. A comprehensive list of publications, subscriptions & sources can be found here.
Dance Data Project® (DDP) today released its second Dance Venue Leadership & Programming Report. The 2022 Report examines 73 leading ballet/classically inspired dance performance venues in the United States to provide a quantitative analysis of the organizations’ programming and leadership, an increase from 50 venues studied in 2020. This Report expands on DDP’s 2020 Dance Venue Leadership & Programming Report that was produced in collaboration with the Center for Equity, Gender, and Leadership (EGAL) at UC Berkeley’s Haas School of Business.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery