December 31st: Jacob's Pillow: Ann & Weston Hicks Choreography Fellows Program, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program, December 31st: Indigo Arts Alliance Mentorship Residency Program, January 22nd: Opera America Grants, March 31st: SIA Foundation Grants
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American choreographer Pickett and RADA-trained director James Bonas have given Arthur Miller’s The Crucible the best of both worlds
DDP gets a Dance Magazine shoutout.
DDP gets a shoutout in Ellevest’s newsletter.
Working for exposure is not okay. Artists need to stop working for free.
An academic article explores how parenting daughters and attitudes around gender norms in the UK shape women throughout their lives – and these attitudes can be shaped just as much by adult experiences.
In collaboration with the Joyce Theater Foundation, DLNY will support new work by four dance makers of color.
Another female dancer turns to work as a choreographer.
The following is a report on the gender distribution of repertoire within the Top 50 domestic companies’ 2018-2019 seasons. The data is separated into three subsections: Gender Distribution in Seasonal Repertoire, World Premieres, and Comparison of 2018-2019 Seasons to 2019-2020 Seasons. DDP cites sources and expresses limitations at the end of the report.
Legislation can have a major impact on the aggression and abuse that occurs in the arts. Here’s one example.
Gender gap is present in museum leadership just as it is in dance.
