Los Angeles Times: Column: How John Proctor and #MeToo helped cure my ‘work in progress’ theater phobia
Theater explores #MeToo topics.
January 22nd: Opera America Grants, March 3rd: Dance | NYC: Dance Workforce Resilience (DWR) Fund, March 31st: SIA Foundation Grants
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Female leaders are few and far between in ballet, but even more rare is a female leader of color. Aesha Ash is advocating for African-American ballet dancers through her initiative, the Swan Dreams Project.
Canadian company Ballet Kelowna commissions a full-length female work.
LA Times reports on the Women Rising dance festival happening this summer.
How can dancers best transition into a leadership role?
Dancers should have exposure to choreography courses – to become better dancers and collaborators in every field.
Pam Tanowitz’s road to success was full of obstacles.
The choreographer Helen Pickett has made a dancework out of Arthur Miller’s McCarthy-inspired play. She explains why the story resonates…
PNB fights to make ballet more diverse and inclusive.
Funders need to keep in mind women’s media…
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
