Los Angeles Times: Column: How John Proctor and #MeToo helped cure my ‘work in progress’ theater phobia
Theater explores #MeToo topics.
December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
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Female leaders are few and far between in ballet, but even more rare is a female leader of color. Aesha Ash is advocating for African-American ballet dancers through her initiative, the Swan Dreams Project.
Canadian company Ballet Kelowna commissions a full-length female work.
LA Times reports on the Women Rising dance festival happening this summer.
How can dancers best transition into a leadership role?
Dancers should have exposure to choreography courses – to become better dancers and collaborators in every field.
Pam Tanowitz’s road to success was full of obstacles.
The choreographer Helen Pickett has made a dancework out of Arthur Miller’s McCarthy-inspired play. She explains why the story resonates…
PNB fights to make ballet more diverse and inclusive.
Funders need to keep in mind women’s media…
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery