Dance Magazine: NYCB’s Choreographic Institute Rejected Pam Tanowitz Five Times. Now She’s Readying Her Second Commission for the Company.
Pam Tanowitz’s road to success was full of obstacles.
July 31st: Community Engagement Artists and Creatives Grant, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
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Pam Tanowitz’s road to success was full of obstacles.
The choreographer Helen Pickett has made a dancework out of Arthur Miller’s McCarthy-inspired play. She explains why the story resonates…
PNB fights to make ballet more diverse and inclusive.
Funders need to keep in mind women’s media…
DDP Founder Liza Yntema inspires others to #AskB4UGive.
American choreographer Pickett and RADA-trained director James Bonas have given Arthur Miller’s The Crucible the best of both worlds
DDP gets a Dance Magazine shoutout.
DDP gets a shoutout in Ellevest’s newsletter.
Working for exposure is not okay. Artists need to stop working for free.
An academic article explores how parenting daughters and attitudes around gender norms in the UK shape women throughout their lives – and these attitudes can be shaped just as much by adult experiences.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery