New York Times: Review: In Merce Cunningham’s Honor, Pam Tanowitz Thrills
A commission for the Royal Ballet, “Everyone Keeps Me” creates a strange, resonantly poetic world.
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A commission for the Royal Ballet, “Everyone Keeps Me” creates a strange, resonantly poetic world.
New York City Ballet invites Suzanne Farrell to return – following Peter Martins’ departure.
The 20-year-old choreographer and dancer is the prototype of leaders in dance empowering and supporting a young woman to choreograph (with some major talent added in).
What does it take to run a successful studio? Hear from a female founder and franchise-owner.
Ballet Hispánico has been promoting women for years.
Three female choreographers to know about in Australia are showcasing their work in a Melbourne Festival program.
What happens after you report sexual harassment and hear nothing?
Three women in particular caught DDP’s eye in the list of London’s Most Influential People 2019.
Another issue that plagues ballet.
Sacramento Ballet and DDP get a shoutout in The Sacramento Bee.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery