Dance Magazine: Without $1 Million By December, This Essential Residency Program Might Be In Danger
An organization that helps women choreographers (among choreographers in general) could fold if funding is not provided this year.
January 22nd: Opera America Grants, March 3rd: Dance | NYC: Dance Workforce Resilience (DWR) Fund, March 31st: SIA Foundation Grants
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An organization that helps women choreographers (among choreographers in general) could fold if funding is not provided this year.
If you play music and live in the world, you’re probably aware of classical music’s alarming lack of gender diversity, particularly in leadership roles. Marin Alsop of the Baltimore Symphony Orchestra remains the only female music director of a major American orchestra, and major orchestras continue to exclude works by female composers in their season programs.
Some cultural institutions are taking substantial steps to address gender inequity and diversity in their programming, their collections and their leadership.
The former Royal Ballet star Viviana Durante explains what it took to get back to performing on stage at 52
Viktor Kabaniaev remains in custody.
A Q&A with Julie Kent on WTOP, highlighting women taking the reins in the NEXTsteps program.
American Ballet Theatre’s current season places a special emphasis on works created for the company by women.
ABT principal Stella Abrera will retire in June 2020 from her longtime company.
By Desiree Stennett Kevin Thomas took his first ballet class at 7 years old. He didn’t see his first black principal ballerina perform in a dance company until 19. And […]
Marina Harss interviews Viengsay Valdés, the deputy director of the National Ballet of Cuba.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
