Cage 541: Five questions with Eugene Ballet’s Toni Pimble
One of the most equitable companies over the past two years is led by – you guessed it – a woman. Read The Register-Guard’s feature on Toni Pimble of Eugene Ballet.
December 31st: Jacob's Pillow: Ann & Weston Hicks Choreography Fellows Program, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program, December 31st: Indigo Arts Alliance Mentorship Residency Program, January 22nd: Opera America Grants, March 31st: SIA Foundation Grants
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One of the most equitable companies over the past two years is led by – you guessed it – a woman. Read The Register-Guard’s feature on Toni Pimble of Eugene Ballet.
Women are worth a lot of money – more than we are given credit for.
The Mariinsky Ballet went on a recent tour to the US, performing in D.C., New York City, and California, where the incident took place.
The company is taking themes from ballet and translating them to community engagement – giving back to the community that supports them.
Another take on the McKinsey and Lean In annual study, Women in the Workplace.
In her recommendation for the “Goings On About Town” column for The New Yorker, dance writer Marina Harss made reference to DDP within the context of an upcoming Guggenheim Works & Process panel with Dance Lab New York and the Joyce Theater Foundation’s women of color Choreographic Lab alumni.
DDP shares our first ever Meet the Company feature. Hear about the success story that is the inaugural company, Richmond Ballet, from its founding artistic director Stoner Winslett and managing director Brett Bonda.
Women supporting women: Joyce Theater’s lab cycle is supporting female choreographers of color in ballet.
Learn more about Annabelle Lopez Ochoa’s A Streetcar Named Desire, which has its US premiere in Nashville this season.
“Leading is hard. It takes thought, intention and humility—and sometimes it requires the moral courage to make necessary changes. While those of us who guide arts organizations wake up every day with the goal of contributing to the human spirit, we must step up our efforts as leaders.” —Rachel Moore, president & CEO, The Music Center
Reach out to us to learn more about our mission.
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
