WBUR The ARTery: The Ballet World Asked For More Choreography By Women — And Got It
Sharon Basco continues her discussion of ballet’s glass ceiling – with optimism and advocacy pointing to a more equitable future.
January 22nd: Opera America Grants, March 3rd: Dance | NYC: Dance Workforce Resilience (DWR) Fund, March 31st: SIA Foundation Grants
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Sharon Basco continues her discussion of ballet’s glass ceiling – with optimism and advocacy pointing to a more equitable future.
The pink tax affects more than ladies who are purchasing products and services for themselves. It affects anyone who is buying a female-targeted item for someone in their life.
Nancy Dobbs Owen explores bullying and the fight for gender equity in classical ballet in her latest article for LA Dance Chronicle – featuring input from DDP’s Founder Liza Yntema.
Dance Magazine gives DDP a shoutout in its prediction “There will be more female leaders.”
Opera performers are applauding new official efforts to create a workplace free of sexual misconduct, but say many in the industry remain fearful of speaking up about predators, particularly those in positions of power.
BBC News reports that an all-male panel headlined the Arts Council of Pakistan’s discussion on feminism.
“We’re proud that we have an all female show.” Artist Emily Beattie shares the female experience in her See | Be Seen program.
Linda Celeste Sims, the Alvin Ailey dancer, talks about pouring her life experience into a riveting performance of “Cry.”
New York City Ballet invited 4,500 students to see the show. We hung out with third graders from Girls Prep Bronx and talked ballet.
A female head coach has yet to win a national title in Division I women’s volleyball. This season’s semifinalists? All coached by men.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
