BWW Feature: THE DAY at Tennessee Performing Arts Center
Learn how the female perspective shaped THE DAY.
December 31st: Jacob's Pillow: Ann & Weston Hicks Choreography Fellows Program, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program, December 31st: Indigo Arts Alliance Mentorship Residency Program, January 22nd: Opera America Grants, March 31st: SIA Foundation Grants
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Learn how the female perspective shaped THE DAY.
Dance Data Project® (DDP) has conducted an initial examination of resident choreographer positions globally within the ballet industry.
DDP found that among the 116 international and U.S. ballet companies studied, a significant majority have hired men as resident choreographers. The study reveals that 37 of the 116 ballet companies surveyed globally employ resident choreographers. Twenty-eight of these 37 companies have placed exclusively men in this position (76%). Read the report here.
By Hannah Schiller 13 May 2019 American orchestras have taken some steps to represent women composers, but that there is still a long way to go. So says a newly-released […]
A work premiering at the Dutch National Ballet will animate the Mexican painter’s emotional world and artistic legacy.
The crossover of the fight for parity extends into the visual art medium – museums come together for the fight.
By Jeanne Allen September 18, 2015; WBUR (Boston Public Radio, “The ArtEry”) In 1963, the Ford Foundation used the power of its grants to help create eight ballet companies across the […]
This interview in Philanthropy Women’s Feminist Giving IRL series features Elizabeth Yntema, president and founder of the Dance Data Project® (DDP).
Dance Theatre of Harlem will be offering a lecture and demonstration for K-12 schools at 10 a.m. on Feb. 5. In this assembly performance, the company will speak about their history, how they started as a revolutionary, multi-ethnic dance company, and perform excerpts of their new works that highlight female choreographers, women of color, and African-American themes
As the field continues to narrow, female filmmakers and actors of color appear increasingly sidelined.
Sharon Basco continues her discussion of ballet’s glass ceiling – with optimism and advocacy pointing to a more equitable future.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
