Richmond Magazine: Ballet for Everybody
Richmond’s ‘Nutcracker’ production models a movement toward inclusivity | Photos by Sarah Ferguson courtesy Richmond Ballet
July 31st: Community Engagement Artists and Creatives Grant, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
×This author has not written his bio yet.
But we are proud to say that dancedata contributed 1152 entries already.
Richmond’s ‘Nutcracker’ production models a movement toward inclusivity | Photos by Sarah Ferguson courtesy Richmond Ballet
A new ballet company is run by a woman.
Michelle Dorrance makes a tap “Nutcracker” to Duke Ellington’s swinging riffs on Tchaikovsky’s classic score.
Crystal Pite is one of the leading women choreographers today, and she is soon to premiere her first work for the Royal Ballet.
“There is a serious lack of women creating ballet,” Seiwert said. “There’s starting to be a shift in that dynamic. I don’t think it’s because women can’t choreograph ballet, it usually has to do with opportunity.”
The Telegraph discusses female work in its decade review of dance.
The only full-length world premiere for a main company choreographed by a woman is again featured: Amy Seiwert’s The Nutcracker.
An innovative line-up offers documentary dance set in a psychiatric hospital and a piece invoking First Nation ceremonies
Dayton Ballet casts a woman as The Nutcracker this year.
Despite box office success and critical praise, female filmmakers are largely being left out of Hollywood’s awards season.
Reach out to us to learn more about our mission.
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery