Bay State Banner: ‘See | Be Seen’ upends expectations of female dancers
“We’re proud that we have an all female show.” Artist Emily Beattie shares the female experience in her See | Be Seen program.
July 31st: Community Engagement Artists and Creatives Grant, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
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“We’re proud that we have an all female show.” Artist Emily Beattie shares the female experience in her See | Be Seen program.
Linda Celeste Sims, the Alvin Ailey dancer, talks about pouring her life experience into a riveting performance of “Cry.”
New York City Ballet invited 4,500 students to see the show. We hung out with third graders from Girls Prep Bronx and talked ballet.
A female head coach has yet to win a national title in Division I women’s volleyball. This season’s semifinalists? All coached by men.
December 20, 2019 Northfield, Illinois Dance Data Project® (DDP) research was discussed in a Here & Now piece on National Public Radio (NPR) on Friday, December 20. Reporter Sharon Basco’s discussed the shifting “no girls allowed” atmosphere in the artform.
Dance Data Project® (DDP) research was discussed in a Here & Now piece on National Public Radio (NPR) on Friday, December 20. Following reporter Sharon Basco’s initial investigation of the lack of women choreographers in ballet, published in WBUR’s The ARTery and covered in a Here & Now story in 2015, the program discussed the shifting “no girls allowed” atmosphere in the artform.
A story by Sharon Basco, airing in over 500 stations in the U.S. today, features research from Dance Data Project ® and covers gender inequity in ballet. The story airs at 1:20 pm EST.
Dancer and choreographer Alice Topp on working in a male-dominated field, and finding confidence in the face of adversity.
From the outside, the 2010s in Twin Cities theater haven’t seen any changes as visible as the Guthrie’s 2006 move to its big blue riverfront home. The view from theaters’ seats, though, has changed significantly—a result of even more dramatic shifts behind the scenes.
Boston Dance Theater brings in new work, including work by women.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery