July 31st: Community Engagement Artists and Creatives Grant, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
×
By Jeanne Allen September 18, 2015; WBUR (Boston Public Radio, “The ArtEry”) In 1963, the Ford Foundation used the power of its grants to help create eight ballet companies across the […]
This interview in Philanthropy Women’s Feminist Giving IRL series features Elizabeth Yntema, president and founder of the Dance Data Project® (DDP).
Dance Theatre of Harlem will be offering a lecture and demonstration for K-12 schools at 10 a.m. on Feb. 5. In this assembly performance, the company will speak about their history, how they started as a revolutionary, multi-ethnic dance company, and perform excerpts of their new works that highlight female choreographers, women of color, and African-American themes
As the field continues to narrow, female filmmakers and actors of color appear increasingly sidelined.
Sharon Basco continues her discussion of ballet’s glass ceiling – with optimism and advocacy pointing to a more equitable future.
The pink tax affects more than ladies who are purchasing products and services for themselves. It affects anyone who is buying a female-targeted item for someone in their life.
Nancy Dobbs Owen explores bullying and the fight for gender equity in classical ballet in her latest article for LA Dance Chronicle – featuring input from DDP’s Founder Liza Yntema.
Dance Magazine gives DDP a shoutout in its prediction “There will be more female leaders.”
Opera performers are applauding new official efforts to create a workplace free of sexual misconduct, but say many in the industry remain fearful of speaking up about predators, particularly those in positions of power.
BBC News reports that an all-male panel headlined the Arts Council of Pakistan’s discussion on feminism.
