December 31st: Jacob's Pillow: Ann & Weston Hicks Choreography Fellows Program, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program, December 31st: Indigo Arts Alliance Mentorship Residency Program, January 22nd: Opera America Grants, March 3rd: Dance | NYC: Dance Workforce Resilience (DWR) Fund, March 31st: SIA Foundation Grants
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Dance Data Project® has an amazing new feature on their website to help both established and aspiring choreographers, particularly particularly those who identify as female, navigate the world of fellowships, scholarships and grants.
Mike Scutari of Inside Philanthropy talks to DDP’s Founder and President Liza Yntema, a “pragmatic donor” herself, about the obstacles facing nonprofits throughout COVID-19 and the best approaches to engaging donors during the crisis.
Lauren Warnecke explores her position as an art critic during a time of virtual dance.
Wendy Perron writes about the passing of her friend, Nancy Stark Smith, a contact improvisation creator and leader in dance.
A new opportunity – virtual – is available to artists.
Acquiring a building is no small feat, especially in San Francisco’s ultra-competitive real estate market. Here’s how Smuin Ballet moved mountains to buy its own building in Potrero Hill.
Dance Magazine covers the shift towards desire for narrative ballets and the women who are bringing them to life – thanks to increasing support from ballet companies and advocacy.
Ellevest’s CEO Sallie Krawcheck writes her thoughts on the pandemic’s impacts on women.
DDP has released Global Fellowships, Competitions, and Initiatives Guide 2020. The Guide is a comprehensive list of international opportunities for choreographers to develop, workshop, and present dance works.
“We don’t have a practice of consent,” said one of five former dancers. “There’s not a very clear line of what’s OK and what’s not OK.”
