The Washington Post: Chris Evert played tennis with a patience that’s in current demand
A look back on Chris Evert’s riveting game.
December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
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A look back on Chris Evert’s riveting game.
Women academics are facing a lack of productivity compared to their male peers, Women’s Media Center reports.
One lesson from the pandemic: Child care is work. And it should be compensated.
Dance Data Project® has an amazing new feature on their website to help both established and aspiring choreographers, particularly particularly those who identify as female, navigate the world of fellowships, scholarships and grants.
Mike Scutari of Inside Philanthropy talks to DDP’s Founder and President Liza Yntema, a “pragmatic donor” herself, about the obstacles facing nonprofits throughout COVID-19 and the best approaches to engaging donors during the crisis.
Lauren Warnecke explores her position as an art critic during a time of virtual dance.
Wendy Perron writes about the passing of her friend, Nancy Stark Smith, a contact improvisation creator and leader in dance.
A new opportunity – virtual – is available to artists.
Acquiring a building is no small feat, especially in San Francisco’s ultra-competitive real estate market. Here’s how Smuin Ballet moved mountains to buy its own building in Potrero Hill.
Dance Magazine covers the shift towards desire for narrative ballets and the women who are bringing them to life – thanks to increasing support from ballet companies and advocacy.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery