The Listener: Why Royal New Zealand Ballet’s Choreographic Series is a defining moment
Patricia Barker is a model in equitable programming.
July 31st: Community Engagement Artists and Creatives Grant, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
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Patricia Barker is a model in equitable programming.
A Just Do It campaign will feature 24 different women.
BalletX’s Letter X from February 2019.
Nantucket brings in three woman choreographers amongst a roster of five males (one with a world premiere).
Another female executive leader resigns.
Emma Thompson writes open letter to outline why she refuses to work with former Pixar executive John Lasseter and has pulled out of Pixar film.
A female choreographer/artistic director, Morgan McEwen, presents her first full-length story ballet for her company, MorDance.
Recent articles featured on The Chronicle of Philanthropy’s resources page provide insight into keeping an organization equitable and free from harassment.
Pointe Magazine’s Jennifer Stahl covers DDP’s first report.
Helen Pickett is one of the few female choreographers tackling full-length ballets on the world stage who receives big-time attention. Read about her journey and work in Dance International.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery