The Guardian: Queen Victoria – the ballet: ‘You think you know her. It turned out I didn’t’
By Lyndsey Winship Queen Victoria is falling into the arms of John Brown. He rocks her as if a child, her body heavy with grief, before she steps into a […]
December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
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By Lyndsey Winship Queen Victoria is falling into the arms of John Brown. He rocks her as if a child, her body heavy with grief, before she steps into a […]
Gia Kourlas writes about the confusing “partnership” within New York City Ballet’s new leadership. DDP expands on her delight with Whelan’s interest in non-Lincoln Center art.
Dillon Heyck discusses the tackling of topical issues in Dwight Roden’s WOKE.
New York City Ballet’s year of interim direction has come to an end with a woman included in its leadership roster.
A former Balanchine ballerina takes legal action against managers of the late choreographer’s trust citing threats to legacy and consolidation of power.
Dance is not the only art facing a lack of female creators.
Patricia Barker is a model in equitable programming.
A Just Do It campaign will feature 24 different women.
BalletX’s Letter X from February 2019.
Nantucket brings in three woman choreographers amongst a roster of five males (one with a world premiere).
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery