Wallpaper: Dior designs costumes for Philip Glass-composed ballet in Rome
Dior, inspired by women, crosses into ballet to design costumes in Rome.
January 22nd: Opera America Grants, March 3rd: Dance | NYC: Dance Workforce Resilience (DWR) Fund, March 31st: SIA Foundation Grants
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Dior, inspired by women, crosses into ballet to design costumes in Rome.
Cathy Marston’s full-length commission for the Northern Ballet is reviewed by Maryam Philpott.
Dancers at Ballet Hispanico are featured in The New York Times.
English National Ballet is one of the leading companies abroad promoting women through its repertoire.
Annabelle Lopez Ochoa, an advocate for and woman choreographer herself, has been honored with the Jacob’s Pillow Dance Award.
Written by Gia Kourlas for The New York Times on June 23rd, 2016, this article highlights what leaders in the community thought of the inequity in ballet at the time. […]
Two artists, Suzanne Lacy and Leslie Labowitz produced at least seven large-scale and complex public performances in Los Angeles that helped redefine rape as a crime of aggression and act of female subjugation in 1977, years before the #MeToo movement.
How is the Florentine Opera recovering from its #MeToo scandal?
As film and theater change, so should dance.
White male artistic directors in theater are slowly becoming less and less represented in theater companies – and women are replacing them.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
