Daily Nexus Article, “The Joffrey Presents Not Your Grandma’s Ballet” Covers #MeToo Discussion
Hannah Jackson reviews the Joffrey Ballet’s performance at UCSB.
July 31st: Community Engagement Artists and Creatives Grant, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
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Hannah Jackson reviews the Joffrey Ballet’s performance at UCSB.
The Chicago Sun-Times caught up with all five Femme Festival choreographers last week. Here’s what they had to say about their work, history, identity and what it means to claim your own space in the world.
The company with a female resident choreographer announces its upcoming season.
The lives of figures like Harriet Beecher Stowe and Helen Frankenthaler hold lessons for everyone about focus and perseverance
“Companies have at their disposal a range of specific actions they could take that would hasten the move toward gender equity in pay and progression. Leadership, female representation on boards and accountability are among them.”
Read more at: https://phys.org/news/2019-03-gender-equitythe-wont-true-parity.html#jCp
When it comes to inappropriate comments about female and male roles in dance and acceptance of LGBTQ artists, Polunin has said: “Everybody agrees with me. In the ballet world, everyone thinks that.”
Christopher Wheeldon’s Alice in Wonderland puts a woman in the tap-based role of Mad Hatter.
Cassa Pancho on how she launched her acclaimed company of BAME dancers with just £2,000
Women a strong presence in Cincinnati Ballet’s upcoming season.
Action against sport’s American governing body comes just months before Women’s World Cup
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery