Seattle Times: Dance Theatre of Harlem, formed when ballet companies weren’t hiring dancers of color, celebrates 50 years with a Seattle tour stop
Dance Theatre of Harlem supported dancers of color long before anyone else.
January 22nd: Opera America Grants, March 3rd: Dance | NYC: Dance Workforce Resilience (DWR) Fund, March 31st: SIA Foundation Grants
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Dance Theatre of Harlem supported dancers of color long before anyone else.
Traveling 50 or more miles to and from work may negatively affect unborn babies, a new study suggests.
When will women be the first to tell their own stories onstage?
Peter Martins continues to find support – this time in Russia at the Mariinsky.
Female choreography on the big screen – finally.
Issues tackled by San Francisco Ballet’s production seem to be exclusively male issues.
Ballet and Hollywood go hand-in-hand when it comes to inequity.
Another situation in which there was no supervision or constraints, whether the abuse was by men or women. Formal procedures and safeguards must be put in place.
A New York Times article discusses Melanie Hamrick’s choreography and YAGP’s female founder.
Women choreographers featured in Point Park University’s production.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
