How is Ballet Like Hollywood? – New York Times: As Hollywood Embraces Diversity, Jobs for Female Directors Remain Sparse
Ballet and Hollywood go hand-in-hand when it comes to inequity.
July 31st: Community Engagement Artists and Creatives Grant, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
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Ballet and Hollywood go hand-in-hand when it comes to inequity.
Another situation in which there was no supervision or constraints, whether the abuse was by men or women. Formal procedures and safeguards must be put in place.
A New York Times article discusses Melanie Hamrick’s choreography and YAGP’s female founder.
Women choreographers featured in Point Park University’s production.
The kathak-trained choreographer has created a brand-new ballet that is haunted by the nineteenth-century original.
Examining ballet’s body standards through a #MeToo lens
Amelia Drummond wins the Emerging Female Classical Choreographer Initiative in Australia.
Playbill celebrates Arthur Miller and Dance Theatre of Harlem.
“Women need the opportunity. They deserve the opportunity.”
Will taking risks reinvigorate classical ballet audiences?
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery