Harvard Business Review: Make Peace with Your Inner Critic
Tara Mohr, author of Playing Big, explains how to deal with self-doubt (or help someone else manage theirs).
July 31st: Community Engagement Artists and Creatives Grant, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
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Tara Mohr, author of Playing Big, explains how to deal with self-doubt (or help someone else manage theirs).
By Nancy F. Clark 28 April 2014 There’s been distressed chatter about the gender confidence gap ever since journalists Katty Kay and Claire Shipman began promoting their new book, The Confidence […]
Victoria Morgan continues to advocate for women at Cincinnati Ballet.
Ramasar and Catazaro were fired for crude remarks but now find themselves back in their old positions after a slap on the wrist.
Dance Theatre of Harlem supported dancers of color long before anyone else.
Traveling 50 or more miles to and from work may negatively affect unborn babies, a new study suggests.
When will women be the first to tell their own stories onstage?
Peter Martins continues to find support – this time in Russia at the Mariinsky.
Female choreography on the big screen – finally.
Issues tackled by San Francisco Ballet’s production seem to be exclusively male issues.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery