New York Times: Why Music Festivals Need More Beyoncés
“There’s not much that can be done about the past, but we can rewrite our future.” — Shirley Manson, lead singer of the band Garbage, on creating gender balance on stage at music festivals.
July 31st: Community Engagement Artists and Creatives Grant, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
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“There’s not much that can be done about the past, but we can rewrite our future.” — Shirley Manson, lead singer of the band Garbage, on creating gender balance on stage at music festivals.
It would be fine to go past the informal boys’ network that reiterates the exclusion of women
Three Canadian female choreographers will have their works brought to Paris with Ballet Kelowna.
Joffrey Ballet’s tour takes risks but lacks female choreography.
By Scott Tady 28 April 2019 Dancers will celebrate fearless femininity Saturday in a touring show that brings a 1998 Blackhawk High grad back to her old stomping grounds. “Elevate: […]
DDP Founder Liza Yntema will meet the creator of The Crucible production, Helen Pickett, during her visit to Charlotte Ballet this week.
Boston Ballet School’s Next Generation performance will feature Lia Cirio’s piece developed from Boston Ballet’s ChoreograpHER initiative.
An Op-Ed for Dance Magazine breaks down the reinstatement of Ramasar and Catazaro at NYCB.
DDP releases its second report, a global listing of choreographic fellowships, scholarships and competitions. Visit our Resources page for the report.
Two women teaming up in the dance community to tour bold work.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery