Pointe Magazine on Ballet Across America
Ballet Across America brings some women’s work to the table, amongst some men’s.
December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
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Ballet Across America brings some women’s work to the table, amongst some men’s.
An early female artist challenged the norms before most men dared.
Pam Tanowitz breaks into the ballet buzz.
Are women’s sports finally getting the attention they deserve?
The woman leading Australia’s inquiry into workplace sexual harassment is trying to overcome nondisclosure agreements that prevent victims from talking.
ABT discusses Cathy Marston’s Jane Eyre.
The following is a report on the gender distribution of choreographers in the upcoming seasons of the 50 largest ballet companies in the United States that have been reported so far this year (38 out of 50 as of May 23, 2019). The data is separated into subsections, focusing on different aspects of the distribution of male and female choreographic work included in the upcoming seasons. DDP cites sources and discusses limitations and important disclaimers at the end of the report.
On the occasion of American Ballet Theater’s revival of the game-changing “Deuce Coupe,” Ms. Tharp and Sara Rudner talked with the dancers taking their roles, Isabella Boylston and Misty Copeland. (Yes, it’s O.K. to fall.)
Innovation featuring female choreographers.
“Visionary” Lourdes Lopez brings diverse programming to Ballet Across America and her company, Miami City Ballet.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery