The Guardian: English National Ballet: She Persisted review – odes to Frida, Pina and Nora
Ibsen gets an urgent retelling, Kahlo dances with a monkey and Bausch’s masterwork is back in Tamara Rojo’s stellar triple bill.
July 31st: Community Engagement Artists and Creatives Grant, December 31st: New England Presenter Travel Fund, December 31st: Central Pennsylvania Youth Ballet Scholarship, December 31st: 24 Seven Dance Convention, December 31st: National Theater Project Presenter Travel Grant, December 31st: Breck Creek Artist-in-Residence Program
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Ibsen gets an urgent retelling, Kahlo dances with a monkey and Bausch’s masterwork is back in Tamara Rojo’s stellar triple bill.
Their moves are fresh, funny and stylish; their subjects include the climate crisis, gender politics and poetry. These electrifying choreographers are on the rise.
Twelve states have passed laws about nondisclosure agreements in sexual misconduct cases, but only one effectively neutralizes them.
Sallie Krawcheck — once a Wall Street executive, now an advocate for women investing — on how women can get their fair share.
A woman will take over as Executive Director at America’s third largest ballet company.
Birmingham Royal Ballet’s Ballet Now focuses on bringing new works onstage and behind-the-scenes.
Women face unique challenges when it comes to negotiating. Use this guide to project assertiveness and confidence and earn your true value.
It may not be the cure-all to inequity, but we need a starting point.
Several states and cities have ordered employers to stop asking about salary history.
BRB teams up with Ballet Black to increase diversity in ballet and commission female work.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery