DDP Reference in The New Yorker: Goings On About Town
"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
January 22nd: Opera America Grants, March 3rd: Dance | NYC: Dance Workforce Resilience (DWR) Fund, March 31st: SIA Foundation Grants
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery
Read the following excerpt from The New Yorker‘s Goings On About Town, written by dance critic and writer Marina Harss. DDP gets a shoutout within her recommendation of the Guggenheim Works & Process this Sunday (a discussion of the experience of women choreographers of color in dance).
The dearth of ballets choreographed by women is a matter of record—a new group called Dance Data Project has calculated that less than twenty per cent of the ballets that premièred in 2018-19 were made by women, and works created by women of color represents a tiny fraction of that. Dance Lab New York and the Joyce Theatre Foundation have partnered to create a Choreographic Lab, designed specifically to offer opportunities to this grossly underrepresented demographic. At the Guggenheim, four choreographers who have taken part in the lab—Margarita Armas, Courtney Cochran, Amy Hall Garner, and Preeti Vasudevan—show their work and discuss the challenges of breaking out in this male-dominated field.
MARINA HARSS
See the full list of Goings On About Town in The New Yorker.
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"The Devil Ties My Tongue" by Amy Seiwert performed for the SKETCH Series, 2013. Photo by David DeSilva. Courtesy of Amy Seiwert's Imagery

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